Showing posts with label noir. Show all posts
Showing posts with label noir. Show all posts
Monday, November 23, 2015
recent read; Borderland Noir
Borderland Noir, edited by Craig McDonald
Borderland Noir is an engaging anthology of short stories, novel excerpts, and essays pondering the harder edges of life on the border of Mexico. Coyotes (human traffickers,) wasted lives, murder, the drug war, banditos and echoes of the Mexican Revolution, and all sordid stops in between are examined.
The short stories are all engaging and take different directions. There are many, many stories to be told under the umbrella of borderland noir. DEA, ICE, prison guards, sheriffs, broken-down hookers, hit men, washed-up lawyers, life on the other side of the river and more.
McDonald's excerpts from his novel, El Gavilan, provide a poignant view of the illegal immigrant's journey through desert, coyotes, mad men with jugs of water and untold hardships - all for a chance - just a chance - of something better in the United States.
Jim Cornelius's essay on the the rise and fall of Pancho Villa, "Pancho Villa—Fourth Horseman of the Mexican Apocalypse," might appear out-of-place at first. But, in fact, it is a fascinating read when paired with the closing essay, "Where God And The Devil Wheel Like Vultures" by Tom Russell. The roots of bandito worship start with Villa and the Revolution (or perhaps, earlier.) The bad guys are the good guys because - for all their killing - they also help entire communities when it is to their benefit. It is chilling to see the same behavior and acceptance of drug lords and their wars. Also chilling - both items, separated in content by 100 years, give or take - mention Americans on the border watching warfare and gunfights across the river.
If you think the fictional body counts are unbelievable, just wait until you read the real statistics.
History repeats.
Borderland Noir is an engaging read. It drags you over the border and steeps you in sweat, beer, fear, revenge, smoke, jalapeƱos and blood. It is an eye-opening noir anthology about life in the shady world of the border.
Wednesday, May 27, 2015
three short reads; novellas and a short novel
The Dunfield Terror by William Meikle
In this short novel, a deadly interdimensional fog bank attacks an isolated Newfoundland town at the height of a disastrous blizzard. This book is a quick read with nifty backstory simultaneously explored as the "now" story rages on. There are even flashbacks to the 1800s, establishing that the phenomena genesis in the 1950s caused a rift in time, too.
The only negative was some repetitive incidental action - drink coffee, drink rum, smoke a cigarette. Then again, at the height of a Newfie blizzard, what else can you do?
Good feel of winter storms and isolation, and interesting scifi/horror monster(s.)
I am trying to explore genres and read some tales from NECON attendees before this July's next con. Bracken MacLeod and Chris Irvin both had crime novellas out last year.
White Knight by Bracken MacLeod
Tight, quick read that hits hard and fast. An idealistic prosecutor tries to help outside the boundaries and gets caught in a noir-ish trap. Things only get worse and darker from there.
I like that MacLeod's stage was quick and small, befitting the story and novella length. The tale happens quickly, over a few days, and the setting is a smaller city of Massachusetts. When we say "Lynn, Lynn, city of sin," we aren't kidding. It works far better than trying to stage this noir-ish tale in New York City or Los Angeles. It works.
(also, see review by Charles Rutledge)
Federales by Christopher Irvin
In Mexico, law enforcement comes in shades of grey, never black & white. An idealistic Federale, Marcos Camarena, finally gives in under pressure (and threat to his life) and leaves law enforcement. He can't keep from trying to help, though. He is hired as a bodyguard to an anti-drug crusader who has already had brushes with death and assassination attempts.
On the plus side, this tale has very evocative characters and tone. I felt the heat, the sweat, the hopelessness. On the negative side, the narrative sputtered and gave out at the end, I thought. It felt like a setup for a longer work, a shift into the second act, but then it hurriedly ended.
Rather bleak stuff, but the war on drugs is a bleak subject, especially over the border in Mexico.
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