Halloween leftovers

I managed to squeeze in quite a bit of media consumption over the weekend.

I watched Boris Karloff ham it up in The Mask of Fu Manchu, and rewatched it with commentary.  I listened to the commentary on The Mark of the Vampire - the movie itself I had watched last week.

I (re)watched Things That Go Bump in the Night,  a documentary on haunted New England tales & folklore.  (It was produced by the PBS station from western Massachusetts.)  I learned a few new stories, but mostly I'd read about everything they covered.  I do have a large collection of local press New England occult folklore books, so that's not surprising.

Things That Go Bump in the Night

You can watch the entire thing online if you have an hour and are interested.

I finished reading the story, "Children of the Kingdom", by T. E. D. Klein (in his Dark Gods collection.)  Another tale of the lost subterranean race(s), but this time they are moving through the underbelly of NYC.

I also read the Dynamite trade paperback collection of Army of Darkness: Ash vs. the (Classic) Monsters.  I hadn't tried any of the AoD comics and I was disappointed.  They overplayed "Ash is a horndog" and "Ash gets people's names wrong" until it was tedious.  And the Monsters - aside from a thinking Frankenstein monster - didn't feel special or Universal whatsoever.

Finally, I started reading the second Titus Crow novel, The Transition of Titus Crow.  I wasn't expecting to return to Crow so soon, but seeing as how the novel is the second-half of the omnibus, I decided to finish it off.  So far, it's another occult adventure as opposed to atmospheric Mythos horror, but it's a fun romp.

The Transition of Titus Crow

The Halloween Haunted Viewings so far

I've squeezed in a smattering of horror viewings over the past couple of weeks.  Here are some quick thoughts.

Mark of the Vampire

I'd always heard of this one, and finally got around to watching it.  Quirky, at best.  Some good visuals.  Some moments that made little sense.  Lugosi has no dialog until the very end.  And (spoiler) if you didn't know - it all turns out to be non-supernatural; a very elaborate sting operation.  Caroll Borland made for a fine vampire bride, though.  One does wonder if the lost film, London After Midnight (of which Mark of the Vampire is a loose remake) was better executed.

Night Gallery:  The House

An odd tale of a haunted house, dreams and potential madness.  It might have been atmospheric, but the bright California sunshine and color wash out any visual sense of dread on this one.

Night Gallery: Certain Shadows on the Wall

This was the second half of the same episode.  Much better creep factor as three siblings who loathe each other await for the fourth to die.  And when she does, her shadow appears on the wall permanently.

THRILLER: The Watcher

A serial killer is on the loose, and he is a quiet face among his own neighbors in a coastal tourist town.  Perhaps most enjoyable for the sheer irony of Richard Chamberlain not only playing the leading ladies' man, but also for the villain trying to "protect" Chamberlain's character's innocence from the charms of women. (Chamberlain came out of the closet awhile back, but during the 1960s his homosexuality was a well-kept secret.)

THRILLER: The Grim Reaper

A cursed painting is acquired by a fading Hollywood star.  Her nephew tries to warn her of impending personal doom.  Starring William Shatner, screenplay by Robert Bloch (adapted from a Weird Tales story by Harold Lawlor) and music by Jerry Goldsmith.  This was one tour de force of old suspense/horror television!