Showing posts with label classic. Show all posts
Showing posts with label classic. Show all posts

Sunday, April 6, 2025

THE THREE MUSKETEERS


I finished reading THE THREE MUSKETEERS by Alexandre Dumas last night. Thick book. A post-worthy accomplishment, I feel.

I liked it a lot. More than imagined I would. I don’t know about earlier English editions. I read the 2018 Lawrence Ellsworth translation. 788 pages or so. The story itself (minus prefaces and appendices) comes in at 760 pages in hardcover with a font none too large. The edition also includes lovely reprinted old illustrations.

Despite Ellsworth’s warning that the middle might sag, I only felt drag towards the end where Dumas focuses too long on Milady’s escape from England. Otherwise, the story had me solidly engaged throughout.

4/5 stars. Not too shabby as a book from the 1840s under the eyes of a modern reader.

Monday, September 9, 2019

recent reads; Joseph Payne Brennan


Dover have reissued two hard-to-find horror collections by Joseph Payne Brennan. I'd been waiting to get a hold of THE SHAPES OF MIDNIGHT for a long time. Happy that NINE HORRORS AND A DREAM showed up, too.

These collections are a master class in writing short fiction. The stories contained in NINE HORRORS AND A DREAM are not flash fiction but with a few exceptions, they are short shorts. Brennan gets in, gets to the core of the tale, and gets out. The stories are lean and trim. The stories in THE SHAPES OF MIDNIGHT are slightly longer but still short overall.

Each volume is short. NINE HORRORS AND A DREAM is 106 pages. THE SHAPES OF MIDNIGHT is 124 pages.  (And they are printed in a decent sized font, too.)

My favorites were "The Willow Platform," "Canavan's Back Yard," and "The Mail for Juniper Hill."

If you are a horror or classic pulp horror fan, you owe it to yourself to add these to your collection and read them.

A few notes on these editions;

These are bare-boned editions. There are no introductions. Given that Stephen King wrote an introduction for the original THE SHAPES OF MIDNIGHT, and the fact that Brennan passed away in 1990, an introduction to the writer and his work would have been a value--especially for readers discovering him for the first time. (There is a Wikipedia page for Brennan, if you're curious.)

There is no information about the original appearances of the stories (where and when.) This might be the case with the original editions, I don't have them to compare. Not a deal breaker but I'm always curious about that.

Originally these collections appeared decades apart, so two stories overlapped. They have been cut from this edition of THE SHAPES OF MIDNIGHT but are included in NINE HORRORS AND A DREAM

Tuesday, August 14, 2018

recent read; CEMETERY WORLD


CEMETERY WORLD by Clifford D. Simak

Keith West's recent posts on Simak spurred me to dig this out and read it.

This book is a throwback to the era of Cold War science fiction. Its story is told in 150 pages. A quick, fun read. I enjoyed most of it though it invoked some time travel near the end which felt out of place.

In the far future, generations after the "Final War" and the migration into space, Earth has become a huge cemetery. The Cemetery Corporation make good money as a tourist destination, pilgrimage destination, and final resting place for those who can afford it.

But the Earth isn't yet *all* cemetery. There are people who work for Cemetery who still live there. And there are still some outcast groups and monsters of the past to be found in the wilderness.

Artist Fletcher Carson arrives to create a great work of art from the impressions and experiences of visiting Mother Earth and Cemetery. Along with archaeologist Cynthia, and Elmer, the robot, they head into the wilds, encountering strange wonders, and sabotage at the hands of Cemetery. The corporation wants *their* version of the story told, not Carson's independent study.

Maybe the story isn't classic or even Simak's best but it breezes along nicely.

The world needs more stories with 8-foot robots named Elmer.

CEMETERY WORLD is out-of-print in the US but frustratingly available in the UK as an ebook from the Gollancz SCI FI GATEWAY imprint. (I really wish more of those ebooks would be made available to North American consumers.)

Thursday, November 16, 2017

recent reads (listens) ; back to basics

I've been rather lazy about book reviews lately. Part of that is I've been reading older stuff by authors who have passed on - so they don't necessarily need the Amazon/goodreads review bumps.

I've surpassed my goodreads reading goal (65 books) for 2017. Yes, that includes some graphic novels but not nearly as many as last year. Audiobooks have helped - I listen to them on my daily commute.

Two recent listens;

THUNDERBALL by Ian Fleming, read by (actor) Jason Isaacs.

This was absolutely stellar. If you're a Bond fan, you should try this when you have time. I am going to press on with these and finish off the original Fleming books. This particular run of audios features British celebrity readers. Looking forward to more though I'm a little disappointed Isaacs didn't perform any of the others.


THE VALLEY OF FEAR by Arthur Conan Doyle, read by Derek Jacobi.

A fun reading. Jacobi works solidly with accents, including Americans. I'm only getting to the original Sherlock Holmes tales now - largely thanks to the influence of Charles R. Rutledge (also responsible for my interest in Burroughs's original Tarzan tales, too.) My only complaint is that this story - like A STUDY IN SCARLET - features a second half prequel story set in America without Holmes at all. However, I didn't feel quite as cheated as with A STUDY IN SCARLET, because here the midpoint reveal doesn't come out of the blue.

Aside from audios, Rutledge is also responsible for kindling my interest in Solar Pons.


Pons was August Derleth's Holmes pastiche who went on to a life of his own, with Basil Copper continuing the stories in the 1970s. Recently, Copper's tales came back into print in paperback from PS Publishing in the UK.

Also, a Kickstarter campaign launched brand new stories written by David Marcum with the permission of the Derleth estate. Marcum is a Holmes/Pons aficionado. (The campaign was successful. If you missed out, the book can be ordered from Amazon.)


Because the original Derleth tales are now the ones out-of-print, I hope this campaign carries on to reprint the original Derleth stories in the near future.

Not sure how long I'll be deep diving on thrillers, mystery and crime but I might be here a while.