Showing posts with label Edgar Rice Burroughs. Show all posts
Showing posts with label Edgar Rice Burroughs. Show all posts

Thursday, December 10, 2020

recent reads; Enter the ERB Universe

Edgar Rice Burroughs Inc., if you haven't heard, undertook the launch of two big projects this year.

First off, they are committing to a full collectible hardcover reprint line of *all* of ERB's original books, all with new commissioned cover art by Joe Jusko. I believe the total will be *84* books by the time they are done.

They've started with the TARZAN series.

That takes care of the past, but what about the future?

The future lies within the EDGAR RICE BURROUGHS UNIVERSE. New tales, new characters, old characters, and more.

Author Christopher Paul Carey joined the ERB Inc team, and is the creative director of the project. After some years of sporadic pastiche releases, ERB Inc now has a definitive vision of bringing the ERB canon into the 21st century. (Books which might be non-canon, are lumped under the WILD ADVENTURES OF EDGAR RICE BURROUGHS banner.)

Which brings us to the recent reads. CARSON OF VENUS: THE EDGE OF ALL WORLDS by Matt Betts and TARZAN: BATTLE FOR PELLUCIDAR by Win Scott Eckert are the first two novels in the "Swords of Eternity" super-arc.

I will confess upfront that I've only read the first original Carson novel, and the character didn't stick with me as much as Tarzan or John Carter. All the same, Betts delivers a good story that touches on of the Venus (Amtor) trappings. Betts wisely sets a up a central mystery that pulls the reader along with the headlong sword-&-planet action.

Win Scott Eckert's TARZAN: BATTLE FOR PELLUCIDAR is everything you could want. A new tale with an old friend. New characters. Dinosaurs, hollow Earth, monsters, and mysteries. Perhaps it was the various character reunions, but this story felt like an even stronger launch into the framework of the new ERB Universe. The best way I can describe it is that the tale is true to the ERB characters but with a new tone. That makes sense--only ERB wrote like ERB. I felt like this was akin to reading, say, a John Gardner James Bond novel after reading the original Ian Fleming novels. (that is *not* a negative criticism. I've enjoyed the few Gardner 007 stories I've read.)

I am looking forward to more ERB Universe stories.

Wednesday, March 28, 2018

recent read; Tarzan and the Jewels of Opar


Over the past few years, I've been adding the original TARZAN novels by Edgar Rice Burroughs to my reading diet. TARZAN AND THE JEWELS OF OPAR was next on my list;

Albert Werper is a murderer and deserter of the Belgian army in the Congo. Fleeing into the jungle, he is captured by gang of slavers led by the Arab Achmet Zek. Werper convinces Zek of his fugitive status, and joins the troop of cutthroats. Tarzan has been running afoul of Zek, ruining his slave trade. Zek and Werper hatch a plan to kidnap Tarzan's wife, Jane (of course,) and hold her for ransom. Werper decides to pose as a lost French gentleman, separated from his safari, to gain access to the Greystoke compound and home.

Tarzan - John Clayton, Lord Greystoke - has a reversal of fortune before the kidnapper can strike. Suspected unscrupulous business dealings have wiped out Greystoke's capital back in England. But the loss doesn't cause Clayton too much concern. He will return to the lost city of Opar. (His first visit was during THE RETURN OF TARZAN.) He knows where the city's great treasure room is hidden. Even the degenerated descendants of Opar who still stalk the stone corridors don't know that. He assures Jane he will be safe and vows to return with gold.

Werper has eavesdropped on their conversation. Realizing there is no ransom to be had from a destitute man, Werper takes his leave and stalks Tarzan's safari through the jungle to trail him to the treasure and steal his own portion.

While both men are in Opar, an earthquake traps them. Clayton takes a hard blow on the head. He awakens an amnesiac. He can only remember his primitive existence as the ape-man. Eventually, he learns his name is Tarzan, but his more recent memories refuse to return. Manipulated by Werper, Tarzan helps him to escape from Opar, and Tarzan acquires a pouch of "pretty pebbles" from another treasure room - the Jewels of Opar.

The avaricious Werper has designs on the jewels, and Tarzan feels the pull of the jungle, unaware that Achmet Zek and his bloodthirsty horde are descending on the Greystoke bungalow...

Adventure and action follow in large doses. Combat, death, lions, apes, Queen La and her subhuman worshipers. Escapes and recaptures, reversals of fortune, double-crosses. The list goes on - in a good, adventurous way.

I enjoyed this story, a lot.

Right out of the gate, Burroughs drops a "civilization vs. barbarism" quote that surely must have caught the attention of Robert E. Howard.
To Tarzan of the Apes the expedition was in the nature of a holiday outing. His civilization was at best but an outward veneer which he gladly peeled off with his uncomfortable European clothes whenever any reasonable pretext presented itself. It was a woman's love which kept Tarzan even to the semblance of civilization—a condition for which familiarity had bred contempt. He hated the shams and the hypocrisies of it and with the clear vision of an unspoiled mind he had penetrated to the rotten core of the heart of the thing—the cowardly greed for peace and ease and the safe-guarding of property rights. That the fine things of life—art, music and literature—had thriven upon such enervating ideals he strenuously denied, insisting, rather, that they had endured in spite of civilization.
Forgetting his existence as John Clayton, Tarzan is feral, unpredictable, and dangerous. He is - perhaps - more of the barbaric savage than he has been since the first half of TARZAN OF THE APES.

The only plot points I had an issue with were the overuse of lion attacks. While it wouldn't have changed the story a whit, I think exchanging at least one of the attacks for a leopard attack would have been welcome change up.

Despite the plot cliche of "the hero has amnesia," I enjoyed TARZAN AND THE JEWELS OF OPAR. I think it is my favorite of the series so far.

Wednesday, January 15, 2014

Tarzan Movies


As I am reading the original Tarzan of the Apes, I also continue to explore some recommended movies.  I had bought this DVD set featuring movies from the 1960s, where Tarzan is played closer to the literary character - articulate and able to adapt and to transition smoothly from civilization to the wild jungle.


Tarzan Goes to India

Tarzan in India, trying to save a herd of elephants from being destroyed when dam engineers flood their valley.  Jock Mahoney's first outing, taking over for Gordon Scott.  Stronger film than its follow-up, and Mahoney looked a lot better than he did in the follow-up - though, he still seemed lanky and he had an awkward gait which did not create a very convincing Tarzan.  It had an enjoyable story, though, with an interesting supporting cast of characters.

Tarzan's Three Challenges (already discussed at this post.)


Tarzan and the Valley of Gold

Tarzan continues his globetrotting, finding himself in Mexico for this adventure.  The producers really upped the ante on this film.  Not only was a younger actor chosen to play Tarzan, they jumped on the James Bond bandwagon, too.  This movie comes complete with a maniacal villain who likes to dispatch people with clever little bombs inside jewelry gifts.  The budget shows, though, when a crashing helicopter hides behind a bush before it explodes, and the villain's private army has only two vehicles.

Not only was Henry a younger actor who looked the part, he also came from professional football.  It might seem an odd thing to note, but compare his Tarzan's motion when running with Jock Mahoney's gait - there is no awkwardness in Henry's dash and speed.

Also, it is worth reading Ryan Harvey's excellent Black Gate posts concerning both the movie and the novelization by Fritz Leiber.



Tarzan and the Great River

Tarzan in Brazil, this time.  He must help a doctor bring medicine upriver while also investigating and halting a violent jungle cult.  This movie suffered from "stock footage"-itis the most.  The mixing of African flora and fauna is one thing.  But, here we see hippos and other African stock footage animals in Brazil.  Worse than that, though, was the extremely lazy use of footage of Africans setting fire to an African village, in the middle of a Mesoamerican attack on a Mesoamerican village.  (All 3rd world people were the same to 1960s Hollywood, I guess?)  It turns out the village footage wasn't stock, but was part of the story in the next movie.  Because they were both filmed back to back in Brazil, actors, sets and footage were reused.

The villain of the piece and Tarzan only meet at the very end, so there is an extreme lack of tension built.  Overall, I found this to be the weakest movie of the set.


Tarzan and the Jungle Boy

Promising first act, second act sag, strong finish.  I think I enjoyed this Henry movie the most.  The James Bond hyperbole of Valley of Gold is gone.  We have a very straight-forward tale of Tarzan and company being swept up in a tribal leadership conflict between two brothers (played by real life brothers.)  Set in Africa (though filmed in Brazil) - the stock footage finally makes things more convincing rather than less convincing.  Tarzan is reflected in the young boy - also a jungle orphan - which is a nice touch.

Overall, I really enjoyed Henry's performances.  Without a doubt, Mike Henry looks the part of Tarzan more than anyone who has undertaken the role.


His acting was a little stiff but not horribly so.  I think the biggest weakness was that sometimes he sounded more like a cinematic cowboy than the king of the jungle.  It's too bad he bowed out before the television series started (which went to Ron Ely, instead.)

The movies are all fun viewing for a rainy Saturday home matinee, if nothing else.

Wednesday, December 25, 2013

Happy Christmas 2013!


I hope Santa and family & friends were good to you, also!

Monday, December 23, 2013

Tarzan's Three Challenges


Trying to add to my Tarzan experiences, I watched Jock Mahoney's second and final outing as the lord of the jungle in Tarzan's Three Challenges (1963).

Following Tarzan Goes to India, this installment again takes Tarzan out of Africa.  This time, Tarzan goes to an unnamed Asian country (portrayed by Thailand.)  There, he must escort a child "chosen one" to safety for his installment as new leader of the nation.  But the current ruler's brother, Khan, is a jealous type.  Tarzan's road will be beset by villains.  But first, he must prove he is Tarzan and worthy to protect the child, and he undergoes three challenges of dexterity, strength and wisdom.

This movie was mostly enjoyable, a few moments over the top and some lingering shots of the exquisite locales of Thailand.  It is good rainy Saturday afternoon adventure matinee fair, if nothing else.

My favorite moment was Tarzan's third challenge; the challenge of wisdom.  I am not sure which martial philosophy it was taken from, but it is a nice little gem.  (Paraphrasing, because I can't find the exact quote online;)

Monk: After a march of a thousand miles, you will face your enemy in the morning.  What is the first thing that you make certain?

Tarzan: I make certain that it is my enemy, not me, who makes the thousand mile march!

The only drawback was, unfortunately, Jock Mahoney's portrayal.  The acting wasn't bad, but the physique and athleticism were wrong.  He was lanky, thin and seemed to have awkward and stiff body motion.

It turns out, that was with reason.  Mahoney contracted fever, dysentery and pneumonia nearly as soon as the production started on location in Thailand.  Co-star Woody Strode attributed the illness to Mahoney's own braggadocio of swimming across the largest river in Thailand - which was also the most polluted.  Mahoney was also, at that time, the oldest man to play Tarzan.  Mahoney lost 45 pounds during the movie, and it shows.

Though eventually he recovered, Mahoney was never quite the same and he was done with Tarzan and many other physical action roles he would have taken in the past.

I acquired this movie through the Warner Brothers Archive collection - on-demand printed DVDs of many movies that weren't available before.  A set of 5 Tarzan movies (2 starring Jock Mahoney and 3 starring Mike Henry) was released earlier this year.  Two weeks ago the price plummeted 45% on Amazon, so I finally grabbed them.  (It is currently still down 40%.)

I look forward to revisiting Mahoney in his first outing, and watching the other Tarzan movies in the near future.

Monday, May 6, 2013

Tarzan's Greatest Adventure


I'm not very versed in Tarzan.  I've seen a few movies, and I've read the first novel.  Recently, two strong recommendations for this movie appeared in my web-crawling circle.  Noted by both Charles R. Rutledge and Ryan Harvey, I knew I needed to give this one a viewing.

When greedy diamond prospectors steal dynamite from an African village and murder his friend, Tarzan picks up their trail to exact vengeance.  Along the way, he picks up a feisty blonde companion, Angie.  Jungle dangers abound as Tarzan comes closer to his prey, and the psychological pressure on the villainous band soon has them tearing each other apart, even as they battle against Tarzan.

Don't let the black-&-white stills fool you, this movie is in color.  As noted by others, it was filmed on location in Africa, getting away from the stagnant movie sets of the past.  Gordon Scott's Tarzan is no longer monosyllabic, but neither does he speak eloquently as an English Greystoke might.  While Scott might not have been the best deliverer of a line, as Tarzan his delivery works very well.

One drawback; there is a notable absence of Tarzan through the fourth fifth of the movie.  Wounded and out of commission, Tarzan mostly falls off-screen while the focus shifts to the heroine and the villains.  I was enjoying Scott's Tarzan portrayal enough that I found the absence distracting.

As someone who did not grow up with jungle adventures, I did have a little bit of disconnect when the movie went into "stock footage" mode - mixing terrain and animals that would never be found that close together.  (e.g.; From the heart of a thick jungle, Tarzan and his companion observe a lion hunt & kill on the veldt!)

But, this isn't about accuracy, it's about having a grand adventure on the Dark Continent.  As a fun throwback to Saturday matinee adventure films, Tarzan's Greatest Adventure hits its mark and does so strongly.

Monday, April 29, 2013

Dejah Thoris vs. the White Apes


Not gonna lie, this one can probably be summed up in one panel.


T & A and apes and gore.

So, the quirky thing about this was that I was rooting for Dynamite, even with all the obvious T & A. (Yeah, I know in the original Barsoom stories, everyone ran around in their birthday suits, still...)  You see, I think one thing wrong with the John Carter movie was the portrayal of the White Apes.  They seemed more monstrous than ape - strange faces, really oversized bodies compared to the original A Princess of Mars descriptions.  And, the movie only hauled them out for the big arena fight.

I think one of the stronger chapters of A Princess of Mars is when Carter first encounters the apes.  The apes haunt the ruins of Mars.  It is a much more suspenseful reveal and certainly could be setup as a horror movie scene, rather than the big monster of the arena, thing.

Anyway, at first glance of plot it seemed Dejah Thoris and the White Apes of Mars might harken back to those roots.  But, it got stuck in gore horror mode.  Blood and dismemberment and apes gnawing on flesh.  A lot of it.

Plot motivation is a little on the simplistic side.  Set in the ten years John Carter disappeared, Dejah is bored and decides on a archaeological field trip with her lady friends.  Given the "girly" dialog at some points, I find it hard to believe these women wouldn't rather be at a weekend spa.  Their airship crashes near some ruins before they reach their destination.  Cue apes.

On the plus side it is sharply drawn.  It is a very visual story with little dialog once the action starts.  Dejah is rather badass, fighting to the last.

I guess I might buy the digital version if it were on sale and I didn't already have the print.  Might be okay in print if you don't pay full cover price.

Friday, August 19, 2011

Superfight; Conan vs. Tarzan


I am usually not one for "my favorite fictional hero/villain can beat your favorite fictional hero/villain".

However, I stumbled on this essay this morning, and I think it is really well done. (missed it when originally posted)

Fantasy superfight; Conan vs. Tarzan

Charles Saunders, in addition to Imaro and other "sword & soul" work, also enjoys writing about boxing, so this essay has a definite veracity to it - even though it is, in the end, fiction and therefore never truly decided.

I need to read some more Tarzan titles. I've only read the first novel.