Showing posts with label jungle pulp. Show all posts
Showing posts with label jungle pulp. Show all posts

Monday, November 4, 2019

Back to the Valley of Gold


TARZAN AND THE VALLEY OF GOLD

Publicity still. (the movie is in color.)
I've been revisiting the late 1950s through 1960s TARZAN movies with my son. Yesterday we watched TARZAN AND THE VALLEY OF GOLD. (which I've touched on before)

It's a crazy mix of modern world Tarzan, James Bond pastiche, Tarzan pastiche. On the 007 side, the main baddie is pure Bond villain. Tarzan first appears in a suit, fighting assassins in Mexico City. The jazzy soundtrack. For Tarzan moments, we see Tarzan suiting 'down' to the loincloth and requesting a knife and a length of rope. His use of the animals (leopard as tracker, chimpanzee as scout, lion as his army) has echoes of original Tarzan novels (Beasts of Tarzan, Tarzan the Untamed.)

The sum of the parts never really adds up. The story's scope & vision far exceed its budget. The climax drags on too long.

But it's a favorite. Maybe because Mike Henry is a physical cast perfect for Tarzan--and Nancy Kovack is quite fetching. Or maybe I just enjoy the audacity of what they were trying to pull off.

I think it's a fun way to spend a ninety-minute weekend matinee.

The Fritz Leiber novelization was recently re-released. It takes the story where it could have gone and adds a lot to it. Maybe not worth the current collectible hardcover price for casual fans but when it comes out in paperback or ebook, you might give it a read, if you're a pulp / action adventure fan.




Thursday, November 29, 2018

2018 writing round up

The blog has been quiet, so I thought I'd throw out a writing post wrap-up. Yes, I know it is still November but I have nothing else coming out this year.

In retrospect, it felt like a quiet year. But that was because I focused on novel writing for most of it. And, everything that came out this year had been in the pipeline since last year.


Four appearances. Turns out that is the most I've had in a single year. I'll take it.

The pulp serial, HOUR OF THE ROBOT, was delayed. Pro Se Press are hoping to get back on track. With luck, the serial will start coming out in January with the others that were announced.

It was a good--if not great--writing year. (yes, I know we still have December.) I finished two novels that had been languishing. I wrote and submitted a few short stories. I didn't get any bites but some of the stories were sent off to other slush piles that are still open.

I'm working through a short story now that will be completed and submitted by year's end. Then it's back to more chapters of the serial.

So, that's what's up with me on the writing front. I hope all you other authors are having success at either writing and/or publishing.

I hope 2019 is fruitful for us all.

Wednesday, October 10, 2018

STORYHACK Issue Three, now available!


STORYHACK, Issue Three, is available now!

I've posted about this earlier. I am honored and excited to have the featured story with cover art!

I'd read an article on rubber tree poaching and those who stand against it. I noted it at the time because I thought it would be a great setting for a modern western. Later, when I wanted to try my hand at a jungle hero story, I decided to use it.

So, a touch of "torn from today's headlines!", a dash of a western, and a helping of jungle lore, plus me equals - "Claws of the Puma."

The interior illustration by Gian Luca is stunning, too.


Thanks for reading, and buying, and supporting 'zines and small press!

Friday, June 8, 2018

Welcome to the Jungle


Yesterday, I received my latest order from Amazon which consisted of three neo-pulp magazines;
It's not much of a secret--as I have signed the contract--I will have a story in the next issue of STORYHACK (#3)

Imagine my elation when I flipped over STORYHACK and found this on the back cover!


That's my story! I've been blessed with cover art!

So pleased with this!

This news update is not meant to detract from the current issue of STORYHACK (#2), featuring Keith West and David West among others. In fact, if you buy the print edition from Amazon, they will offer the Kindle Matchbook for $1. Win/win.

I can't wait to hold this in hand and when it's out I'll let you know--and maybe write a post or two about the behind-the-scenes on this tale.

In the meantime--

Support your 'zines!

Thursday, May 3, 2018

recent read; HIGH ADVENTURE #86


HIGH ADVENTURE #86

Keeping with my resolution for more 'zines in my reading mix...

I swung back into the jungle pulp, following up last year's Ki-Gor read with two more of the better Ki-Gor tales, "The Devil's Death Trap" and "Blood Priestess of Vig N'Ga." Luckily, both stories are included in this single volume.

"The Devil's Death Trap" finds Ki-Gor and his stalwart companions trapped in a lost city of intelligent gorillas (shades of DC Comics' Gorilla City!) "Blood Priestess of Vig N'Ga" also features a hidden city--this one more of a classic Middle Eastern flare. While the former story had echoes of Edgar Rice Burroughs, the later tale had echoes of Robert E. Howard.

Both delivered on pulp fun and adventure.

Unfortunately, this issue (or my copy, anyway) has a glaring misprint in "Blood Priestess of Vig N'Ga" that repeats a page and left out a piece of the story. Fortunately, there is an archive available here. I need to check this out and fill in the gap.

Wednesday, March 28, 2018

recent read; Tarzan and the Jewels of Opar


Over the past few years, I've been adding the original TARZAN novels by Edgar Rice Burroughs to my reading diet. TARZAN AND THE JEWELS OF OPAR was next on my list;

Albert Werper is a murderer and deserter of the Belgian army in the Congo. Fleeing into the jungle, he is captured by gang of slavers led by the Arab Achmet Zek. Werper convinces Zek of his fugitive status, and joins the troop of cutthroats. Tarzan has been running afoul of Zek, ruining his slave trade. Zek and Werper hatch a plan to kidnap Tarzan's wife, Jane (of course,) and hold her for ransom. Werper decides to pose as a lost French gentleman, separated from his safari, to gain access to the Greystoke compound and home.

Tarzan - John Clayton, Lord Greystoke - has a reversal of fortune before the kidnapper can strike. Suspected unscrupulous business dealings have wiped out Greystoke's capital back in England. But the loss doesn't cause Clayton too much concern. He will return to the lost city of Opar. (His first visit was during THE RETURN OF TARZAN.) He knows where the city's great treasure room is hidden. Even the degenerated descendants of Opar who still stalk the stone corridors don't know that. He assures Jane he will be safe and vows to return with gold.

Werper has eavesdropped on their conversation. Realizing there is no ransom to be had from a destitute man, Werper takes his leave and stalks Tarzan's safari through the jungle to trail him to the treasure and steal his own portion.

While both men are in Opar, an earthquake traps them. Clayton takes a hard blow on the head. He awakens an amnesiac. He can only remember his primitive existence as the ape-man. Eventually, he learns his name is Tarzan, but his more recent memories refuse to return. Manipulated by Werper, Tarzan helps him to escape from Opar, and Tarzan acquires a pouch of "pretty pebbles" from another treasure room - the Jewels of Opar.

The avaricious Werper has designs on the jewels, and Tarzan feels the pull of the jungle, unaware that Achmet Zek and his bloodthirsty horde are descending on the Greystoke bungalow...

Adventure and action follow in large doses. Combat, death, lions, apes, Queen La and her subhuman worshipers. Escapes and recaptures, reversals of fortune, double-crosses. The list goes on - in a good, adventurous way.

I enjoyed this story, a lot.

Right out of the gate, Burroughs drops a "civilization vs. barbarism" quote that surely must have caught the attention of Robert E. Howard.
To Tarzan of the Apes the expedition was in the nature of a holiday outing. His civilization was at best but an outward veneer which he gladly peeled off with his uncomfortable European clothes whenever any reasonable pretext presented itself. It was a woman's love which kept Tarzan even to the semblance of civilization—a condition for which familiarity had bred contempt. He hated the shams and the hypocrisies of it and with the clear vision of an unspoiled mind he had penetrated to the rotten core of the heart of the thing—the cowardly greed for peace and ease and the safe-guarding of property rights. That the fine things of life—art, music and literature—had thriven upon such enervating ideals he strenuously denied, insisting, rather, that they had endured in spite of civilization.
Forgetting his existence as John Clayton, Tarzan is feral, unpredictable, and dangerous. He is - perhaps - more of the barbaric savage than he has been since the first half of TARZAN OF THE APES.

The only plot points I had an issue with were the overuse of lion attacks. While it wouldn't have changed the story a whit, I think exchanging at least one of the attacks for a leopard attack would have been welcome change up.

Despite the plot cliche of "the hero has amnesia," I enjoyed TARZAN AND THE JEWELS OF OPAR. I think it is my favorite of the series so far.

Tuesday, July 11, 2017

recent read; Amazon Nights


Amazon Nights by Arthur O. Friel

Ever since I read THE PATHLESS TRAIL, I've wanted to read some of the adventures of Pedro and Lourenço, who made a cameo in that novel.

All the stories in this collection appeared in Adventure magazine in the early 1920s. They sweat with the steam of the South American jungle, full of intrigue, menace, jungle danger, south of the border hot-bloods, passion, murder, revenge, savages & cannibals, and betrayal.

Pedro and Lourenço are seringueiros - workers on a rubber plantation. Most of their adventures are set off the plantation during the rainy season. When there is no work and the waters flood to make passage through the jungle, the duo yield to wanderlust and find themselves in various scrapes. Lourenço narrates all the stories from first person p.o.v.

One story does dip a little into fantasy when the duo discovers a lost race of monkey men. All the other stories, though, play it straight though there are some humans who act like animals (but aren't) or are named after animals.

Friel spent time in the jungles of South America and the veracity bleeds through the atmosphere of these stories.

The standout stories for me were; "The Peccaries" "The Jararaca" "The Firefly" "The Bouto" and "The Trumpeter."

Darrel Schweitzer provides an informative, though brief, introduction to this collection.

Robert E. Howard read Friel and named him a favorite author. "The Peccaries" features someone being crucified on a tree. "The Jararaca" contains this wonderful bit, which could come right from the mouth of Solomon Kane;
"I am not one of those who think there is no God. And I do believe that whenever Deus Padre allows an evil thing to come into the world He also creates a good thing to destroy it. And whether this be so or not, I know that as our jungle harbors the venomous jararaca, so also it protests the good mussurana, which slays the jararaca."
Like THE PATHLESS TRAIL, I am pleasantly surprised by how much I enjoyed these stories. AMAZON NIGHTS is a great encapsulation of the adventures of Pedro and Lourenço - and I still might seek out more of their tales.